Rest Well Aretha Franklin

March 25, 1942 – August 16, 2018

She is both a 20th and 21st century musical and cultural icon known the world over simply by her first name: Aretha. The reigning and undisputed “Queen Of Soul” has created an amazing legacy that spans an incredible six decades, from her first recording as a teenage gospel star, to her most recent RCA Records release, ARETHA FRANKLIN SINGS THE GREAT DIVA CLASSICS.

Her many countless classics include “(You Make Me Feel Like) A Natural Woman,” “Chain Of Fools,” “I Never Loved A Man (The Way I Love You)”; her own compositions “Think,” “Daydreaming” and “Call Me”; her definitive versions of “Respect” and “I Say A Little Prayer”; and global hits like “Freeway Of Love,” “Jump To It,” “I Knew You Were Waiting (For Me),” her worldwide chart-topping duet with George Michael, and “A Rose Is Still A Rose.”

The recipient of the U.S.A.’s highest civilian honor, The Presidential Medal Of Freedom, an eighteen (and counting) GRAMMY Award winner – the most recent of which was for Best Gospel Performance for “Never Gonna Break My Faith” with Mary J. Blige in 2008 – a GRAMMY Lifetime Achievement and GRAMMY Living Legend awardee, Aretha Franklin’s powerful, distinctive gospel-honed vocal style has influenced countless singers across multi-generations, justifiably earning her Rolling Stone magazine’s No. 1 placing on the list of “The Greatest Singers Of All Time.”

Marking a glorious reunion with music industry legend Clive Davis (Chief Creative Officer for Sony Music Entertainment) – with whom she worked for the longest period of her recording career, twenty-three years at Arista Records (1980-2003) – Aretha continues her time-honored tradition of creating new music that is innovative, vital and fresh. With the 2014 release of ARETHA FRANKLIN SINGS THE GREAT DIVA CLASSICS, Aretha put her indelible stamp on ten songs previously recorded by other female artists – and in her own inimitable way (as she has time and time again), she makes each one her own.

Working with hitmaking producers Clive Davis, Kenny “Babyface” Edmonds, André “3000” Benjamin, Eric Kupper, Harvey Mason Jr. and Chicago DJ/producer Terry Hunter, co-producing and doing all the vocal arrangements for the project, Aretha put her personal and ever-soulful stamp on both contemporary hits and time-honored pop, soul and jazz standards, reimagining certain cuts with the inclusion of cleverly-created musical blends such as “I Will Survive” which includes an interlude from Destiny’s Child’s “Survivor” and “I’m Every Woman,” featuring her 2014 take on her own timeless anthem, “Respect.” An all-star musical cast on ARETHA FRANKLIN SINGS THE GREAT DIVA CLASSICS includes special guest sax great Kirk Whalum, longtime friend and musical associate Cissy Houston alongside background vocalists Fonzi Thornton, Tawatha Agee, Vaneese Thomas and Brenda White-King who regularly accompany Aretha in live performances.

The result is simply stunning: introducing her brilliant gospel-fired makeover of Adele’s “Rolling In The Deep” (with a wonderful musical bridge from the Motown classic, “Ain’t No Mountain High Enough”) on The David Letterman Show, Aretha received an immediate standing ovation and within a week, the track had received over two million views on Vevo. “Mr. Davis came to me with the idea,” says Aretha. “He suggested some of the artists and songs which included many that I myself enjoyed. We both agreed that there was a whole new generation who may never have heard the original recordings.”

Noting that she is “absolutely thrilled with the whole CD and very happy with the work I put into it,” Aretha shares her thoughts on the ten tracks that comprise her remarkable 45th album (excluding compilations):

“AT LAST” (Etta James, 1961) “I met Etta briefly but I didn’t know her that well but I remember this song from when I was coming up – it’s one of the great soul tunes of our generation with such a memorable melody.”

“ROLLING IN THE DEEP” (Adele, 2010): “I think Adele is a very fine writer, she’s a heavy writer. I love the way she says things in a different way. I had to really ponder doing this song: I listened to its lyrics and I thought, ‘Adele doesn’t take any mess, straight up!’ We came up with putting in that section from “Ain’t No Mountain High Enough” – which is a fabulous Ashford & Simpson song. I’ve always loved the refrain that Diana Ross did on it.”

“MIDNIGHT TRAIN TO GEORGIA” (Cissy Houston, 1972; Gladys Knight & The Pips, 1973): “Gladys and I came up together when we were both teenagers, performing at places like the Royal Peac*** in Atlanta with artists of the day like Sam Cooke, Jackie Wilson and Jesse Belvin. We’ve always had mutual respect and when I recorded this track, I had big fun – I became a ‘Pip’ dancing and moving at the microphone!”

“I WILL SURVIVE” (Gloria Gaynor, 1978): “A great song and a super performance by Gloria. Although we’ve never met, I read Gloria’s autobiography so I learned more about her and the song which is perfect when one is going through trying times. We added that piece of “Survivor” – that’s my granddaughter’s favorite song and one of mine.”

“PEOPLE” (Barbra Streisand, 1964): “I first recorded it 1964 myself for an LP when I was at Columbia Records. Barbra and I were budding young artists at Columbia at the same time. We actually never met until a few years ago and she was very gracious. I love the way this new recording came off – it was just natural for me and we did it in two takes.”

“NO ONE” (Alicia Keys, 2008): “Alicia has some really great contemporary ideas and she suggested to Mr. Davis that we give it a reggae feel and that’s the first time I’ve ever recorded something like that. I love that she brings an old school flavor to what she does.”

“I’M EVERY WOMAN”/ “RESPECT” (Chaka Khan, 1978; Whitney Houston, 1992/Aretha Franklin, 1967): “Another great song from Nick Ashford & Valerie Simpson – indicative of how many women feel! Love it. It was the producer (Terry Hunter) who came up with including “Respect” and why not….it’s a soul classic!”

“TEACH ME TONIGHT” (Dinah Washington, 1954): “I chose this song. I remember Dinah came to our house in Detroit when I was just a little kid. I remember peering down the railings at the top of the stairs at her! I met her later on and